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Humboldt-Universität zu Berlin - Medienwissenschaft

Ernst in English

A list of published monographs and articles by Wolfgang Ernst in English, including reviews of his work, is now available from here in PDF format.

The following links and texts are mostly lectures which have not been published so far. For a complete list of published articles and books of Wolfgang Ernst, see the listing Publikationen Ernst.

"Discovering the Ears on Flusser's Face. A Respectful Revision". In: Flusser Studies 17 — Music (May 2014).
http://www.flusserstudies.net/sites/www.flusserstudies.net/files/media/attachments/wolfgang-ernst-discovering-the-ears-on-flussers-face.pdf

TRANSLATION OF PHOTOGRAPHIC ARCHIVE INTO ALGORITHMIC TIME
[Either / And (National Media Museum, UK), Section “Archiving on the Line”.]
http://eitherand.org/archiving-line/translation-photographic-archive-algorithmic-time

SONIC TIME MACHINE
[Unedited script of a lecture given at the "Discourse program" of Club Transmediale Berlin (CTM.13 THE GOLDEN AGE), module 6 "Collapse of Time", 2nd February 2013 (Samstag), Kunsthaus Bethanien.]
SONIC TIME MACHINE (PDF).

SIGNALS AND SYMBOLS. A media-archaeological approach to "textuality"
[Extended version of a key-note lecture at the symposium Post Script: After textuality / On media, Yale University, March 29, 2012]
SIGNALS AND SYMBOLS. A media-archaeological approach to "textuality" (PDF).

MEDIA ARCHAEOLOGY AS METHOD OF RE/SEARCH IN PARALLEL LINES (MEDIA ART, ACADEMIC MEDIA THEORY)
[Rough notes of a statement on occasion of the panel discussion "Search for a method" with Inke Arns, Wolfgang Ernst, Jussi Parikka and Siegfried Zielinski, conceived and moderated by Timothy Druckrey as part of the transmediale.12 "In/compatible" symposium, February 5, 2012, Haus der Kulturen der Welt, Berlin] MEDIA ARCHAEOLOGY AS METHOD OF RE/SEARCH IN PARALLEL LINES (MEDIA ART, ACADEMIC MEDIA THEORY) (PDF).

TECHNOLOGIES OF TRADITION: BETWEEN SYMBOLIC AND MATERIAL (MICRO-)TRANSMISSION.
[Extended version of a key-note speech at the Ph.D. course Materiality and Historicism of the Norwegean Research School "Text, Image, Sound, Space", Centre Franco-Norvégien en Sciences Sociales et Humaines (FMSH), Paris, January 25-27, 2012; involving as well sections from the lecture "Focussing Memory Technologies: Archival Knowledge, the Multi-Media Archive, Micro-Archives" at the Ph.D. course Objects and methods in aesthetic and cultural studies: Archives, Maps, Translations, Norwegean Institute, Rome, January 28, 2009]
TECHNOLOGIES OF TRADITION: BETWEEN SYMBOLIC AND MATERIAL (MICRO-)TRANSMISSION (PDF).

PRINTED LETTERS, ACOUSTIC SPACE, REAL TIME INTERNET. The message of current communication media, deciphered with (and beyond) McLuhan
[Lecture on occasion of the conference McLuhan revisited at the Fritt Ord Foundation, Oslo, 12th April, 2011] PRINTED LETTERS, ACOUSTIC SPACE, REAL TIME INTERNET. The message of current communication media, deciphered with (and beyond) McLuhan (doc).

THE TEMPORAL GAP. On asynchronicities within the so-called “audiovisual” regime in sensory perception (aisthesis) and in technical media (electronics)
[Synaesthesia and kinematics under the aspect of time-critical signal processing]
[Lecture at the conference: Habitus in Habitat III. Synesthesia and Kinaesthetics, 22.–24.10.2010, Zentrum für Literatur- und Kulturforschung, Berlin]
THE TEMPORAL GAP. On asynchronicities within the so-called “audiovisual” regime in sensory perception (aisthesis) and in technical media (electronics) (PDF)

ARCHIVAL TIMES.TEMPOR(E)ALITIES OF MEDIA MEMORY
[Lecture at the National Library in Oslo, 6th October 2010, on occasion of the book presentation of: Eivind Røssaak (ed.), The Archive in Motion. New Conceptions of the Archive in Contemporary Thought and New Media Practices, Oslo (Novus) 2010
ARCHIVAL TIMES.TEMPOR(E)ALITIES OF MEDIA MEMORY (PDF)

Archive Rumblings. Interview with German media archeologist Wolfgang Ernst by Geert Lovink, in: Nettime, http://www.nettime.org/Lists-Archives/nettime-l-0302/msg00132.html

TOWARDS A MEDIA-ARCHAEOLOGY OF SONIC ARTICULATIONS
(Talk given at the international conference Hearing Modern History (9th Blankensee Colloquium), Berlin 17th–19th June 2010) TOWARDS A MEDIA-ARCHAEOLOGY OF SONIC ARTICULATIONS (PDF)

MEDIA ARCHAEOLOGY – METHOD + MACHINE (Lecture at Anglia Ruskin University, Cambridge, 18 November, 2009) MEDIA ARCHAEOLOGY – METHOD + MACHINE (PDF)

EXPERIMENTING MEDIA-TEMPORALITY; Pythagoras, Hertz, Turing [Text version of a lecture at conference Experimentation as event, University of Lancaster, 19/20th November, 2009] EXPERIMENTING MEDIA-TEMPORALITY; Pythagoras, Hertz, Turing (PDF)

Agencies of Cultural Feedback: The Infrastructure of Memory, in: Brian Neville / Johanne Villeneuve (Hg.), Waste-site stories. The recycling of memory, Albany, N. Y. (State University of New York Press) 2002, 107–120 Agencies of Cultural Feedback: The Infrastructure of Memory (PDF)

Archives in Transition. Dynamic Media Memories, talk given at conference Media, Memory and the Archive, 6. October 2007, ARGOS centre for Art and Media, Brussels Archives in Transition (PDF)

Art of the Archive, in: Kuenstler.Archiv - Neue Werke zu historischen Bestaenden, hg. v. HelenAdkins, Koeln (Walter Koenig) 2005, 93–101 Art of the Archive (PDF) Die Kunst des Archives (PDF)

Between Realtime and Memory on Demand: Reflections on/of television, in: The South Atlantic Quarterly 101, Heft3 (Sommer 2002), Sonderheft Medium Cool, hg. v. Andrew McNamara / Peter Krapp, 625–637 Between Realtime and Memory on Demand: Reflections on/of television (PDF)

Beyond the Rhetoric of Panopticism: Surveillance as Cybernetics, in: Thomas Y. Levin / Ursula Frohne / Peter Weibel (Hg.), CTRL[SPACE]. Rhetorics of Surveillance from Bentham to Big Brother, Cambridge, Mass. (MIT) / Karlsruhe (ZKM) 2002, 460–463 Beyond the Rhetoric of Panopticism: Surveillance as Cybernetics (PDF)

Is there a specific videocity? in: Internationales Bochumer Videofestival 12 (April 2002), Programmheft, Bochum (AstA-Kulturreferat der Ruhr-Universitaet Bochum) 2002, 106–114 Is there a specific videocity? | Gibt es eine spezifische Videozitaet (deutsch und englisch) (PDF)

Let there be irony. Cultural history and media archaeology in parallel lines, in: Art History Bd. 28.5 (November 2005), 582–603 Let there be irony. Cultural history and media archaeology in parallel lines (PDF)

Telling vs. Counting? A Media-Archaeological Point, in: Intermedialites Nr. 2 (Herbst 2003), Themenheft «Raconter», 31–44 Telling vs. Counting? A Media-Archaeological Point (PDF)

The concept of the original in the age of the virtual world, in: Reinhold Misselbeck / Martin Turck (Hg.), Video im Museum. Restaurierung und Erhaltung, neue Methoden der Praesentation, der Originalbegriff, Koeln (Museum Ludwig) 2002, 148–175 The concept of the original in the age of the virtual world (PDF); Der Originalbegriff im Zeitalter virtueller Welten (PDF).

Towards an Archive for Visual Concepts (with Harun Farocki), in: Thomas Elsaesser (Hg.), Harun Farocki. Working on the Sight-Line, Amsterdam (Amsterdam University Press) 2004, 261–286 Towards an Archive for Visual Concepts (PDF)

Transitory Archives. A Machine-Oriented Look at Movement (= English version of: W. E., Transitorische Archive. Ein maschinennaher Blick auf Bewegung, in: Tanzplan Deutschland (Hg.), Tanzplan Deutschland. Jahresheft 2009 (Tanz und Archive: Perspektiven für ein kulturelles Erbe), 14–21) Transitory Archives. A Machine-Oriented Look at Movement (PDF)

DISTORY. 100 Years of Electron Tubes. Media-Archaeologically Interpreted vis-à-vis 100 Years of Radio, in: Heidi Grundmann et al. (Hg.), Re-inventing Radio. Aspects of Radio as Art, Frankfurt/M. (Revolver) 2008, 415–430 Transitory Archives. A Machine-Oriented Look at Movement (PDF)

Time that adheres to media material. The knowledge to be gained from techno-archaeological hardware (= abstract in English of: W. E., Zeit, die an Medienmaterie haftet. Erkenntnismöglichkeiten technoarchäologischer Hardware, in: Irene Schubiger (ed.), Schweizer Videokunst der 1970er und 1980er Jahre. Eine Rekonstruktion, Zürich (ringier Verlag) 2009, 188–194) Time that adheres to media material. The knowledge to be gained from techno-archaeological hardware (PDF)

“... ELSE LOOP FOREVER”. THE UNTIMELINESS OF MEDIA [[Extended draft of the paper given at the conference Il Senso della Fine , Università degli Studi di Urbino, Centro Internazionale di Semiotica e Linguistica, 10–12 September, 2009; printed version under the title “The untimeliness of media, or: Does technology have a sense of ending?” forthcoming in the journal Agalma] “... ELSE LOOP FOREVER” (PDF)

ARIFMOMETR. An archaeology of computing in Russia [A preliminary version of the editorial to: Georg Trogemann / Alexander Nitussov / W. E. (Hg.), Computing in Russia. The history of computer devices and information technology revealed, Braunschweig (Vieweg) 2001] ARIFMOMETR. An archaeology of computing in Russia (PDF)

Unmasking Interfaces: Archeological Moments of Knowledge
Ausarbeitung des Vortrags “Replacing Faces by Interfaces” auf der Konferenz Interfacing Knowledge: New Paradigms for Computing in the Humanities, Arts and Social Sciences, 8./9. März 2002, University of California Santa Barbara
http://dc-mrg.english.ucsb.edu/conference/2002/documents/wolfgang_ernst.html

Arsenals of Memory, in: Mediamatic 8 #1
http://www.mediamatic.nl/magazine/8_1/Ernst-Arsenals-E.html

Visual Archiving: Sorting and storing images
http://www2.khm.de/personen/staff/ernst/va_x.htm

Archival Phantasms
http://www.nettime.org/Lists-Archives/nettime-l-0012/msg00115.html

A visual archive of cinematographical topoi: Navigating images on the borderline of digital addressability
http://www.suchbilder.de/projekt/fareng.html